Describe a dramatic character that the spectator dislikes (e.g., Iago, Lady Macbeth, Severus Snape, or Hannibal Lecter) and explain how the performer playing the part could be admired at the same time that the character is despised. Could we say that the more we dislike a villainous character, the more we are admiring a performance?
What will be an ideal response?
Answers will vary.
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Of the names listed below, the one that is not a Greek order is __________
A. Corinthian B. Rhodian C. Ionic D. Doric
Aristotle's process of empiricism shaped __________.
A. investigations of identity and change B. the contemplation of Ideal Forms C. the dialectic method D. the development of expressionism
Which of the following correctly matches artist with style?
a. Brancusi – Suprematism b. Mondrian – De Stijl c. Wright – Cubism d. Gropius – Prairie Style
The setting of Édouard Manet's reclining nude figure of Olympia is a(n) __________
a. upscale apartment in Paris's eighth arrondissement b. lush Tahitian landscape c. blue bedroom d. lavish bedchamber in a Venetian villa e. bordello of the Parisian demimonde