Art historians regard James Ensor's painting Christ's Entry into Brussels in 1889 as his critical response to which contemporary work?
A. Toulouse-Lautrec, At the Moulin Rouge
B. Renoir, Dance at Le Moulin de la Galette
C. Gauguin, Where Do We Come From?
D. Seurat, A Sunday on La Grande Jatte
Answer: D
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What are race records?
a. Records specifically designed for and marketed to African Americans b. Records that featured only Ragtime music c. Long playing albums d. Official documents of births, deaths, and marriages of African Americans during WWI
____________________ is the mass of ideas associated with a work of art
a. Function b. Content c. Aesthetics d. Context
In the context of a fugue, the exposition is an introductory, improvisatory-like passage that gives the performer a
chance to warm up and sets the stage for the more substantive section that follows.
a. true b. false
Typical of __________ is the medium's liquid transparent airiness as seen in Joseph Mallord William Turner's Looking Out to Sea: A Whale Aground (fig. 5.22)
A. oil B. tempera C. watercolor D. encaustic