By the second decade of the twentieth century, many audience members expected each production to have a unified style that was appropriate for the play
a. true
b. false
a. true
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Jacques-Louis David’s The Oath of the Horatii exemplifies the style of __________.
a. Neoclassicism b. Realism c. Romanticism d. Symbolism
The sound of Davis's trumpet is easily recognized by his
a. loud, brassy tone color. b. extremely fast 'sheets of sounds'. c. use of the Harmon mute. d. preference for the upper register of the horn.
In the early twentieth century, the two movements that characterized the split between depiction of emotion and a focus on form were __________
A. Expressionism and Cubism B. Expressionism and Futurism C. Fauvism and Futurism D. Surrealism and Futurism
The iconography of the stylized, doll-like figures on the Weighing of Souls tympanum from the Cathedral of Autun was intended to convey pictorially __________
a. the mercy of God b. repentance through prayer c. fear d. comfort and healing e. everlasting life in heaven