By the eighteenth century European theatre had made the transition from religious festival offerings to what?
a. Even more religious festivals
b. Closet drama
c. Theatre presented only in places of religious observance
d. Professional, secular entertainment
b
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John Locke disagreed with Thomas Hobbes's social contract, feeling that
a. rulers tended to become despotic over time. b. people were depraved by nature. c. rulers were incapable of controlling the masses. d. people were capable of governing themselves.
The development of a ________ is an extremely important step in preparing for the show to begin rehearsals so the actors and director know how their patterns of movement will be affected by the placement of scenic elements and/or furniture.
A. magic sheet B. floor plan or ground plan C. hanging schedule D. screen projection
In his article "Tragedy and the Common Man," Arthur Miller argues that tragedy is NOT possible today
Indicate whether the statement is true or false
Discuss how the form and content of non-Western works of art represent ideals of beauty differently than Western works. Note several examples of differences in culture or tradition that prove standards of beauty to be culturally specific rather than universal.
What will be an ideal response?