All of the following were characteristic of the nineteenth-century concerto except
A. like other forms of symphonic music, the concerto reflected the change from the Classical to the Romantic style.
B. nineteenth-century composers continued to leave their cadenzas to the improvisation of the performer.
C. more lyrical melodies and colorful orchestration were evident.
D. virtuosity of the performer was emphasized.
Answer: B
You might also like to view...
As a result of public pressure, Louis XVI relented, allowing some public performances of The Marriage of Figaro.
Answer the following statement true (T) or false (F)
The Etruscans preferred which the following materials for sculpture?
a. Marble b. Gold c. Terracotta d. Limestone
This selection starts with a solo performed by this instrument?
a) contrabassoon b) ophicleide c) double bass d) cello
The blues ________.
A. can be happy or sad, fast or slow B. usually follow a 12-bar pattern as a basis for improvisation C. may be vocal or instrumental D. All answers are correct.