A favorite subject of Henri de Toulouse-Lautrec, ____ was a
singer and dancer at the famous cabaret Moulin Rouge.
a. Berthe Morisot
b. Victorine Meurent
c. Rachel Ruysch
d. Jane Avril
D
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The Church-controlled format of icons encouraged __________
A) regularity B) invention C) narrative D) creativity E) individuality
What is the genre of this composition?
a) anthem b) cantata c) masque d) oratorio
Simone Martini’s version of the Maestà resembles Duccio’s Maestà in that
a) it reflects the blending of sacred and secular in Tuscan culture. b) it utilizes hierarchical scale. c) it depicts a three-dimensional setting. d) its coloration emphasizes the beauty of the flesh.
Which of these is not an ingredient in the plot of one of Henrik Ibsen's plays?
A. Greed and exploitation inherent in American capitalism B. Pollution in the community water system C. Venereal disease D. Women's rights