Briefly explain where a film like Mike Leigh’s High Hopes falls in the left-center-right model and why
What will be an ideal response?
Answer: The ideal answer should include:
1. This film would fall under the liberal category of the left-right-center ideological spectrum.
2. The film was released in 1988 at a time when British society, which has always been class conscious, was especially so under Prime Minister Margaret Thatcher.
3. Thatcher dominated the decade of the 1980s in the United Kingdom, just as her friend and fellow conservative Ronald Reagan dominated the political climate in America.
4. Like many liberal artists of his generation, director Mike Leigh was sickened by the materialism of British society, a value espoused by the right during this era.
5. His satirical targets range over a wide spectrum, and are richly deserving of their skewering. Only an eccentric hippie couple (who represent the left ideologically) provide an island of decency in the sea of greed, pretentiousness, and conspicuous consumption depicted in this film.
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The technique of call-and-response is
A. evident in CD 1:18 and absent in CD 1:17. B. evident in CD 1:17 and absent in CD 1:18. C. equally evident in both CD 1:17 and CD 1:18. D. lacking in both CD 1:17 and CD 1:18.
In Japan, the three sacred shrines of Kumano, considered places of physical healing, are dedicated to the kami of the three Kumano mountains. What are kami?
a) They are the spirits that are embodied in the natural world. b) They are rivers. c) They are martyred saints. d) They are sacred stones that fell from the heavens.
Chuck Berry's music can be best characterized as
A. boogie-woogie. B. doo-wop. C. deep blues. D. hillbilly.
Elaborate metaphors that compare two apparently dissimilar objects or emotions with the goal of shocking or surprising the listener or reader are called which of the following?
A. motifs B. follies C. anagrams D. conceits