Horyu-ji (fig. 9.3) is a(the) __________
A. tea ceremony
B. achievement of enlightenment
C. narrative handscroll
D. oldest wooden temple in the world
E. form of Japanese music
Answer: D
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Between the fourteenth and nineteenth centuries, most African figural representations were intended to be __________.
A. part human and part supernatural B. destroyed in ritual ceremonies C. likenesses of recognizable individuals D. both naturalistic and abstract
In the context of styles of filmmaking, unlike the Japanese director Yasujiro Ozu, the Japanese director Kenji Mizoguchi:
A. cultivated a style of long-shot framings. B. preferred short takes. C. maintained an everyday humor in all of his films. D. proved to be a master of static.
In the context of using color in films, a technique that involved coloring a film stock before the image was printed on it, creating a two-color effect, is known as
A. expressionism. B. tinting. C. surrealism. D. toning.
The Renaissance was an age of growing confidence in __________
a) the government and group dynamics b) mystical intervention c) industrial technologies d) the powers of human reason and individuality