Some nonobjective painters of the twentieth century worked on unsized canvas __________
A. so that they could cut it to whatever size they wanted
B. because they wanted to mold it into different shapes
C. so that the paint would be absorbed right into the canvas
D. when they were pressed for time and could not size it
C
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Listen to “Gizhebs” and follow the accompanying Active Listening Guide. How does “Gizhebs” differ from “Straight Up”? (Answers may vary.)
What will be an ideal response?
A shot with selective lighting of a man's hands could be referred to as
a. cameo lighting. b. Rembrandt lighting. c. high-key lighting. d. silhouette lighting.
Modern Chinese and Japanese artists continue to be trained in centuries-old brush techniques, which require years of study because ______.
a. a line made with ink cannot be changed or erased b. if one mistake is made, the drawing is ruined c. lines must be made with confidence and speed d. hesitation by the artist is easily revealed e. all of these are correct
Which of the following is a high-energy, multi-layered mix of sounds, with fluid, bebop-style melody lines played over montunos unfolding against complex rhythmic textures
a. Cubop b. Samba c. Rhumba d. Bamboula