In Caravaggio's The Conversion of St. Paul and the Crucifixion of St. Peter, the viewer is confronted with a _________ and a __________ respectively.

a. horse's hindquarters; commoner's dirty feet
b. lamp; giant candelabra
c. horse; pig
d. nude man; nude woman


Ans: a. horse's hindquarters; commoner's dirty feet

Art & Culture

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The catalog number that is often used to identify Haydn's compositions is known as:

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