The biggest hit of 1955 was a Latin song, recorded by:
a. Perez Prado
b. Tito Puente
c. Machito
d. Xavier Cugat
A
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Amenhotep IV (shown above) changed his name to __________ to honor the life-giving sun deity Aten.
A. Hunefer B. Akhenaten C. Ti D. Ramses
The first purpose of the applied arts is to __________
A. serve some useful function B. enable the artist to get a job C. create artworks for museums D. maintain traditional art forms
Functionality is the purpose of __________.
a. Shirazeh Houshiary’s Ancient Light b. Abraham Cruzvillegas’ Autoconstrucción Suites c. George Nakashima’s Conoid Chair d. the Kuba peoples’ Royal Portrait Figure
Trace the development of the early documentary film career of Jean Rouch. What were his objectives as an ethnographic filmmaker during the 1950s? What formal techniques did he use to express these objectives? Explain how Rouch modified his ethnographic project in the 1961 film Chronicle of a Summer. In what ways does Chronicle of a Summer pose an alternative to the "uncontrolled" techniques of American "cinema vérité" or Direct Cinema?
What will be an ideal response?