_____ Stanislavsky’s “magic if” refers to:
A). A training method through which the performer could increase their physical dexterity and agility
B). A way through which the performer may imaginatively project themselves into the world of the
play
C). The standard stage movement practice of performers at the Moscow Art Theatre, wherein the
secondary actor moved to the center of the stage if the primary actor moved away from it
D). The practice of observing real life behavior and then transferring it directly to the stage
B
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—Urban blues, which also arose in the 1940s, is associated with such artists as ____
What will be an ideal response?
"Mack the Knife" is an example of a ________ ballad
a. rondo b. da capo c. strophic d. through-composed
England's artists and writers turned to satire during the Enlightenment to
a. revive the Classical genres of literature. b. expose the moral bankruptcy of English society. b. appeal to an increasingly educated audience. c. satisfy the growing periodical readership.
Anyone who has participated with cummings' "1(a)" will understand
A. the personality of cummings better B. the poem is a kind of crossword puzzle C. the isolation of loneliness and death D. none of the above