Describe and discuss the performance of “Batal al-Bab” as it is performed by vocal soloists Salah Ba’bad and Khula al Siyabia with ‘ud soloist Salim Magrashi

What will be an ideal response?


• Complementary male and female soloists and choruses
• The piece is strophic
• "The instrumental introduction is roughly the same as the instrumental interludes, although different instrument are featured during each interlude. . ."
• "While the lush violins, the chimes, and the synthesizer suggest that this recording is . . . world pop, the incredible plosive plucking technique of Salim Maqrashi's ‘ud playing defines it as music from the Gulf. . . . [It is] the Salalah-based bar'a style."
• The bar‘a rhythm can be counted in 2/4 (1+2+1+2+) or a quick 4/4 (12341234). Let's count it in two: 2/4 (1+2+1+2+).
• "Since the rhythmic pattern is chugging along in 2 (1+2+1+2+), but the lines of poetry are sung in groups of 10 beats, the beginning of each line falls alternately on a different beat of the bar‘a rhythmic pattern (Transcription 10.9).

Art & Culture

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What was the basis of the Monteverdi-Artusi controversy?

A) the superiority of equal temperament over just intonation B) whether unprepared dissonance is allowed for text expression C) whether music should be published using the single-impression or multiple impression process D) the superiority of the major and minor modes over the church modes

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In any given city in Africa, one would experience solely Christian rituals or solely Muslim rituals or solely the rituals of indigenous beliefs, but never a mix

Indicate whether the statement is true or false

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Discuss the contributions of Stephen Sondheim to the development of the American musical

What will be an ideal response?

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This listening example is most representative of which one of the following?

A. black gospel (first phase) B. contemporary gospel C. the Billy Sunday-Homer Rodeheaver era D. all of the above

Art & Culture