The prologue of Orson Welles's The Magnificent Ambersons
A. contains a rare example of a nondiegetic on-screen narrator.
B. includes a scene where violins are used to simulate a woman's screams.
C. consists of a lengthy soliloquy using internal diegetic sound.
D. contains a rare example of characters seeming to hear a nondiegetic narrator.
Answer: D
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