Using one of the plays that has been covered in class during the semester, propose possible central images or visual metaphors that could help support the visual world of the play, and explain how it might support the stage action without distracting from it.
What will be an ideal response?
Answers will vary
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Describe the ways in which the Italian government involved itself in the Italian cinema during the war and pre-war years. How did this involvement differ from that of the German and the Soviet rulers? What measures did the Italian Fascists take to prop up the film industry? How did producers respond to Luigi Freddi's call for a "cinema of distraction"?
What will be an ideal response?
Fra Angelico painted with a sense of the new style of the Renaissance, as evidenced by
A. his mastery of depth. B. his use of drab colors. C. his inclusion of gold foil in his paintings. D. the absence of religious symbols in his paintings.
What steps have African nations taken since the 1970s to forge national cinemas in spite of impoverished economic conditions? Which countries have succeeded, and for what reasons? What kinds of African films attracted international attention, and why?
What will be an ideal response?
Peter Paul Rubens's twisted and powerful figures in the Elevation of the Cross demonstrate the artist's admiration of _____
a. Jan van Eyck b. Raphael c. Michelangelo d. Titian