List as many nineteenth-century Romantic stereotypes of the female as you can remember

What will be an ideal response?


Many stereotypes for eighteenth- and nineteenth-century women can be found in the Romantic literature of the time. Writers either glorified the female as chaste, passive, and submissive, or characterized her as dangerous and threatening. Romantic writers inherited the dual view of womankind that had prevailed since the Middle Ages: like Eve, woman was the femme fatale, the seducer and destroyer of mankind; like Mary, however, woman was the source of salvation and the symbol of all that was pure and true.
Many women writers during the time tended to perpetuate the Romantic stereotype of the chaste and clinging female. Jane Austen, something of an exception, wittily attacks sentimental love and Romantic rapture in her novels. Her heroines, intelligent and generous in spirit, are concerned with reconciling economic security with proper social and moral behavior. Austen's keen eye for the details of family life, and for the comic contradictions between human actions and values, show her to be the first Realist in the English novel-writing tradition.

Art & Culture

You might also like to view...

The Lindisfarne Gospels are from the ________ period

a. Early Christian b. Byzantine c. Early Medieval d. Romanesque e. Gothic

Art & Culture

Which statement best describes the Temple of Portunus in Rome, built during the late Republican period?

a. a memorial to the achievements of a Roman emperor b. an example of a Roman Greek-style temple c. the largest and most important building in imperial Rome d. the last great Roman building built in ancient times

Art & Culture

Which pair of works could both be classified as documentary in purpose—that is, intending to record social reality directly and truthfully?

a. Joyce, Ulysses, and Eliot, The Waste Land b. Dorothea Lange, Migrant Mother, and Riefenstahl, Triumph of the Will c. Magritte, The Key of Dreams, and Miró, Birth of the World d. Stravinsky, Rite of Spring, and Copland, Appalachian Spring

Art & Culture

Which Baroque keyboard instrument regularly featured two manuals?

a) virginal b) Italian harpsichord c) Flemish harpsichord d) clavichord

Art & Culture