How did Sor Juana Inés de la Cruz dramatize New Spain's diversity in her villancicos?
a. The female narrator wore native garments.
b. The soloists sang in three languages.
c. The Gregorian chant was sung in Nahuatl.
d. The religious drama was based on Aztec legends.
Answer: b
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Because of surviving evidence, we know more about the early actor's external expression than his or her emotional work
a. true b. false
For any play (or one selected by the instructor) you have read, imagine that you are the producer and must select a theatrical configuration in which to produce the play. What are some of the issues related to that configuration you must consider? How might the audience experience the play within that space?
What will be an ideal response?
Realistic plays were immediately accepted by audiences in the late nineteenth and early twentieth centuries.
Answer the following statement true (T) or false (F)
Eshu's image always appears at the top of the __________ board for the Yoruba
A. divination B. accounting C. game D. jumping