Analyze one of the poems from Rumi’s The Divan of Shams of Tabriz, quoting lines from the poem to explain the precise ways in which the poet communicates his ideas concerning love, and comparing and/or contrasting his efforts to a contemporary love
song with which you are familiar.
Please provide the best answer for the statement.
1. Rumi’s poetry stresses human potential for mystical union with God, a potential hinted at in physical union with a lover. This hinted potential is the subject of Rumi’s collection of about 30,000 verses entitled The Divan of Shams of Tabriz. Rumi thought of Shams (meaning “Sun”) of Tabriz as the “Divine Beloved,” the physical incarnation of spiritual love. Rumi met him in 1244, and when Shams disappeared 15 months later, Rumi wrote poems describing his loss in terms of abandonment by God. Poems like “Love’s Body,” “Caring for My Lover,” and “The Clear Bead at the Center” are at once carnal and spiritual, erotic and mystical, and they speak of the rebirth of the human spirit through love.
2. Students’ analysis of their choice of poem will vary, as will the comparisons they draw between their chosen poem and a contemporary love song.
You might also like to view...
What is thinking?
What will be an ideal response?
Identify which of the following characters says the lines below.A. OdessaB. ElliotC. YazminD. FountainheadE. Chutes & LaddersF. Orangutan"Dissonance is still a gateway to resolution."
Fill in the blank(s) with the appropriate word(s).
The symbolic heart of a Roman house was associated with which architectural element?
A. Atrium B. Peristyle C. Oculus D. Vault
The German-born composer George Frederick Handel turned to the production of the oratorio, a sacred opera sung with neither costume nor acting, after the mid-1720s
Indicate whether the statement is true or false.