The early eighteenth-century classical opera, Orefo et Euridice, is
a. precise, rhythmic, and restrained
b. emotional, dramatic, and spontaneous
c. humorous, farcical, and satirical
d. romantic, melodic, and Dionysian
e. melodramatic, two-dimensional, and tear-jerking
a
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In whose big band did Dizzy Gillespie and Charlie Parker first work together in 1942?
a. Billy Eckstine b. Earl Hines c. Charlie Minton d. Coleman Hawkins
Discuss the theme of the "good shepherd" in Early Christian and Byzantine art. What was its importance to Christians? What antecedents did it have? How did it change over time?
What will be an ideal response?
The Hebrew Bible is referred to by Christians as the "Old Testament," and the Christian Scriptures written after Jesus was referred to as the "New Testament"
a. true b. false
Concert halls in Mozart's time
a. were much smaller than modern concert halls. b. were nonexistent; concerts were strictly private affairs for the aristocracy. c. consisted mostly of repurposed cathedrals following the Reformation. d. were outdoor amphitheaters.