The communist government's policy for the arts after 1979
A. frowned on Chinese composers influenced by contemporary Western music.
B. was more repressive than it had been during the Cultural Revolution period.
C. led to an increase in government support of music conservatories.
D. resulted in more creative freedom for musicians and composers.
Answer: D
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The Chinese popular music industry shifted to Hong Kong and Taiwan in 1949?
a. ?due to opposition from Christian churches in mainland China. b. ?because those sites had better recording equipment and distribution networks. c. ?following the Communist victory in the Chinese civil war and ensuing social change. d. ?in order to capture these new markets.
Which would one most likely hear at a Lutheran church service?
a. a mass composed by Palestrina b. a madrigal sung in four parts c. a congregation singing a hymn in German d. a motet with a Latin text
In seventeenth-century France, what type of solo song was most important?
a) Tragedie lyrique b) Ballade c) air de cour d) Parisian chanson
The orchestras in Haydn's time __________
a) were relatively small by modern standards b) did not include brass or wind instruments c) included a lute accompaniment d) consisted entirely of amateur musicians