Why did the avant-garde embrace variety entertainment forms in the early twentieth century?
What will be an ideal response?
In the early twentieth century, the avant-garde groups rejected the art forms of the past as not reflecting the dynamism of the modern technological world. In particular, the Italian Futurists focused on variety show performance as a means of developing a new artistic sensibility. They wanted to destroy the illusionary realistic stage world and the convention of the fourth wall and foster an active interaction with the audience, and they saw variety entertainers, such as clowns, acrobats, and jugglers as the perfect performers to achieve this.
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Discuss the significance of Flemish painters’ use of oil as the primary vehicle for paintings.
What will be an ideal response?
In the second movement of Haydn's String Quartet, op. 76, no. 3, Haydn
a. changes texture throughout. b. utilizes a hymn-like presentation of the theme. c. uses four-part polyphony. d. all of the above.
Gothic architecture is characterized by three elements: __________
Fill in the blank(s) with correct word
In traditional Chinese music, instruments were played to create realistic sound effects, such as animal cries or roaring gales.
Answer the following statement true (T) or false (F)