The standard theatre space throughout Europe beginning in the late seventeenth century, which grew in popularity in the United States in the nineteenth and early twentieth century, was the
A. thrust stage.
B. proscenium stage.
C. arena stage.
D. multifocus theatre.
Answer: B
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Jelly Roll Morton was the
a. first stride pianist in jazz b. first Creole of Color to lead a jazz band c. inventor of jazz d. first important jazz composer/arranger
Where did Jelly Roll Morton live and work?
a. he was born in Chicago, where he remained throughout most of his career b. he was a New Orleans musician who traveled widely and made important recordings in Chicago c. he was a New Orleans musician who moved to New York City, where his career flourished d. he was born in Iowa, but made important recordings in Chicago and worked primarily in New York City
What is one explanation scholars have proposed for the fact that the human figure in the wall painting in Lascaux Cave is depicted less naturalistically than are the animals?
A. In the view of the artists, animals and humans belonged to separate spheres of being. B. Naturalistic depictions of humans were taboo. C. Animals were more interesting artistically than humans. D. Artists had not yet mastered naturalistic techniques that could be applied to the human form.
In "Cosa sento," the Count's recurring musical theme is heard __________
a) after he discoversCherubino hiding under a dress b) just before he draws his sword c) when he accidentally happens upon the Countess d) whenSusanna faints