According to the author, what are the three basic ways that we can experience sculpture? Explain how he describes these experiences
What will be an ideal response?
Answer: The author writes that we can experience architecture in relief, in-the-round, and as environments. He states that we might look at them on a wall, rather like we look at a painting; we might walk around them; or we might even enter into them.
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According to the text, one's first encounter with music they've heard defined as jazz
a. can influence one's perception of what jazz is. b. should be the only style one ever listens to. c. is always an accurate reflection of jazz music. d. often isn't jazz at all.
Thick, stiff paint that creates a raised surface is called _________.
a. glaze b. wet into wet c. alla prima d. impasto e. encaustic
Most of our knowledge about the Etruscans has come from
a. their tomb sculpture and paintings.
b. Egyptian trade records.
c. their surviving homes.
d. accounts from visiting Greeks.
The format of Hieronymus Bosch's painting Garden of Earthly Delights (Fig. 22-20, Fig. 22-21), which was commissioned by an aristocrat for his Brussels townhouse, conforms to a long tradition of ______________
A. palace decoration B. paintings in the offices of church officials C. public art in government buildings D. church altarpieces