How did Bartok's ethnomusicological work affect his compositional style?
a) It helped him incorporate current popular styles such as jazz into his music.
b) It spurred him to follow the 12-tone compositional method.
c) It allowed him to draw from the "uncontaminated" musical styles of folk cultures.
d) It created new, rural audiences for classical music.
c
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At what elapsed time in the example does another part appear to join in? Characterize the sound of the music from this point on. What happens at 1:46 that adds to the rhythmic density?
What will be an ideal response?
As opening night approaches, the cast begins doing run-throughs consistently. During this time, the actors concentrate on
a. discussing characterization in depth with the director. b. learning the energy level needed for emotional or physical high points in the action. c. memorizing their blocking. d. developing the character's motivation.
Hymns and Gregorian chant were introduced to Native Americans by Spanish missionaries.
Answer the following statement true (T) or false (F)
Non al suo amante (Not to her lover) is an example of the trecento ________
a. estampie b. madrigal c. ballata d. caccia