Georges Méliès was
A. the director of Our Hospitality.
B. an early director of fantasy films and master of mise-en-scene.
C. an important French set designer of the 1930s.
D. the first historian to study mise-en-scene in the cinema.
Answer: B
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Feminist artist Ana Mendieta draped her body in mud for her performance piece Arbol de la Vida. In terms of its visual impact, most viewers who saw it were likely __________ by its extraordinary contrasts of texture
a. sickened b. shocked c. amused d. saddened e. bored
Under the Antonines, building activity in Rome was
A) ?completely halted. B) ?experimental and innovative. C) ?extensive and ostentatious. D) ?limited and conservative.
The Papal States emerged in the mid-eighth century following the defeat of which people?
A. Arabs B. Seljuk Turks C. Visigoths D. Lombards
What was one intended consequence that Alice Aycock wanted visitors to experience after engaging with The Beginnings of a Complex . . .?
a) fear and disorientation b) freedom c) exhaustion d) aesthetic pleasure