Describe the subject, content, and location of Michelangelo’s Last Judgment, and explain the reasons it almost immediately provoked controversy
Please provide the best answer for the statement.
1. Michelangelo’s Last Judgment was a commission given to him by Pope Paul III that involved painting the wall above the main altar in the Sistine Chapel.
The content of his work illustrates Judgment Day, incorporating in the top center images of Mary and Christ, flanked on either side by saints and martyrs.
2. The bottom of the painting includes angels to the left welcoming souls as they ascend from their graves, while to the right demons drag the damned into hell.
3. The work was met with immediate controversy over the use of nude religious figures. Not long after Michelangelo’s death in 1564, the artist Volterra and others were tasked with painting draperies over the genitals of the figures as a result of disfavor with Michelangelo’s nude subject matter.
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The area around Paris, called the __________, was the birthplace of Gothic architecture
What will be an ideal response?
A contact print places the:
a. Enlarger lens directly against the negative. b. Negative directly against the easel. c. Enlarger light directly against the enlarger lens. d. Negative directly against the photographic paper.
To help promote the revolutionary leader Jean-Paul Marat as a martyr, David based his figure on _____
a. Saint Michael the Archangel b. the Pantokrator in Byzantine art c. Raphaels's Aristotle d. Michelangelo's Pietà
Which of the following statements is not true?
A. Medieval music theorists favored the use of triads, the basic consonant chords of music. B. Medieval music that consists of Gregorian chant and one or more additional melodic lines is called organum. C. Perotin was among the first known composers to write music with more than two voices. D. Paris was the intellectual and artistic capital of Europe during the late medieval period.