William Wyler, as demonstrated in The Best Years of Our Lives, thought that the camera , the staging, the externals of a scene were "important only as they help the audience understand what the characters are thinking, feeling or doing."
Indicate whether this statement is true or false.
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The new British directors of the 1960s Free Cinema movement revolted consciously against the Italian neorealist movement in their films
Indicate whether this statement is true or false.
You shake hands with someone and notice that the hands are hard and callused. You might
infer that this person worked with his hands. And since he is wearing coveralls, you assume he is a farmer. Which stage of the perceptual process would be reflected in this example? A) selecting or simplifying stimuli B) organizing or imposing structure C) interpreting or attributing meaning D) responding or expressing understanding
Perceived ability
A) the extent to which the supervisor believes that the subordinate will be able to perform the assigned tasks with little or no difficulty B) getting the subordinate to perform as a fully functioning organizational member C) any communication that indicates interpersonal warmth and closeness D) an overt form of influence where desired outcomes are fully disclosed E) messages and behaviors used to preserve an acceptable and lasting relational state. F) any communication between organizational members that implicitly or explicitly provides task guidance, personal evaluation, or other guidance G) attentive, friendly, and relaxed H) mutual affection the leader and member have for each other based primarily on interpersonal attraction I) inattentive, unfriendly, and unrelaxed J) those that attempt to gain relational rewards by explaining or justifying the actor's position and attitude K) a disguised attempt at upward influence L) an influence technique that uses either open influence or clearly stated outcomes
The question-and-answer mode of delivery is a specialized instance of which mode?
A. Memorized B. Manuscript C. Impromptu D. Extemporaneous