Which design features of Jan Toorop's poster for Delftsche Slaolie (Delft Salad Oil) create visual confusion between female sexuality and the salad oil as the consumer object being sold?
What will be an ideal response?
Answer: The ideal answer should include:
1. The female figures are by far the most prominent objects in the design as they fill two-thirds of the poster's space.
2. The significance of the salad oil is minimized by shrinking the product into two small bottles confined in the poster's upper corners while the poured bottle is set against the woman's billowing skirt, obscuring a view of its label.
3. The elaborate tresses of the women's hair flow into curvilinear shapes that completely fill the design space, competing visually with lettering and graphics representing the actual product, as do the billowing forms and folds of the women's dresses.
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The composer of this work used which of the following compositional methods?
a) ocatonic, whole-tone, and pentatonic scales b) fugues, inventions, suites and sonata movements, variations and passacaglias c) limited transpositions d) the process of transposed pitch classes
Who is NOT considered one of the composers of the Second New England School?
A) John Knowles Paine B) George Chadwick C) George Frederick Root D) Amy Marcy Cheney Beach
What inspired the spiral turned columns of Bernini's Baldacchino?
a. a tornado b. the Hall of One Hundred Columns at Persepolis c. columns from Solomon's Temple d. columns from Djoser's funerary complex
Cai Guo-Qiang’s work at an air show in San Diego where he directed planes to draw a Chinese landscape, which then floated away, illustrates
a. that Cai is not very creative b. that realistic rendering is not the only form of drawing c. that Cai cannot draw on his own d. the lack of imagination in the question, “Can he draw?” e. both b and d are correct