Chavín iconography commonly depicts
a. Chavín deities and elites being worshipped by the common people, often containing scenes of human sacrifice.
b. animals local to the Chavín region and those that the Chavín people depended upon for food, including wild deer, vicuna, llama, and guinea pigs.
c. stylized creatures native to forests of the eastern slope some several hundred miles away, and not occurring in the local highland environment.
d. agricultural scenes of crops the Chavín people relied upon, as well as their extensive irrigation systems.
e. People practicing crude agricultural and building techniques.
c
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a. purchase of extra land by elites b. conflict and warfare over land c. shifts toward agriculture as the primary form of subsistence d. recognition of Native American ownership by colonial governments
Development projects should aim to accomplish all of the following EXCEPT
A. promoting change, but not overinnovation. B. respecting local traditions. C. preserving local systems while working to make them better. D. developing strategies with little input from the local communities. E. drawing models of development from indigenous practices.
Answer the following statements true (T) or false (F)
1. In general, theatres built or remodeled in l800 were smaller than those built or remodeled in 1750. 2. In general, theatres built or remodeled as Romanticism gave way to Realism were smaller, more intimate. 3. In general, theatres built or remodeled as Romanticism gave way to Realism had smaller forestages (aprons).
All of the following are a form of polygamy EXCEPT
A. a man who has four wives simultaneously. B. a woman who has three husbands, all of whom are brothers. C. a man who marries, then divorces, then marries again, then divorces again, then marries again, each time to a different woman. D. a man who has three wives, all of whom are sisters. E. a woman who has two unrelated husbands.