Fred Wilson's piece, Mining the Museum, explores ideas about race by:
A. tagging well known, public locations.
B. impersonating various types of people on video.
C. installing colored ravel, asphalt, and plastic bushes on a museum's roof.
D. rearranging a museum collection.
D. rearranging a museum collection.
You might also like to view...
Both realistic and formalistic narratives are patterned and manipulated, but the realistic storyteller attempts to __________ the pattern
A. stylize B. jumble C. submerge D. embrace
Which early instrument is the predecessor of the modern oboe?
a. harpsichord b. viola da gamba c. shawm d. vielle e. rebec
Describe the common characteristics of happenings? Name two inspirations fro this movement
What will be an ideal response?
For The Continuing Presence of the Past: Julie Green’s The Last Supper: Da Vinci’s Last Supper was installed at the end wall of the refectory of the Monastery of Santa Maria delle Grazie in Milan, where the monks would have had to contemplate it over every meal. What feelings might a contemporary viewer of Green’s plates, filling an entire wall in their installation, share with those Renaissance monks?
What will be an ideal response?