The palace at Tivoli was constructed for which of the following emperors?
a. Augustus
b. Nero
c. Constantine
d. Hadrian
d
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An unusual element among the Biblical program panels of Ghiberti’s Gates of Paradise depicts
a) the artist himself as a signature for his work. b) a portrait of archbishop of Florence who commissioned the work. c) the Black Death, symbolic of the plague years the city had endured. d) Florence itself through scenes of the city’s history.
Surviving scenes from Lev Kuleshov's 1918 film, Engineer Prite's Project, suggest that:
A. Kuleshov employed Hollywood-style continuity guidelines. B. Kuleshov understood the principles of "intellectual montage" years before Sergei Eisenstein first applied the idea to his own work. C. in the years immediately following the revolution, even "revolutionary" Russian filmmakers continued to stage action and edit shots in the manner of the early Russian directors. D. it was completely assembled out of footage from existing American and German films.
The ability of a social, economic, or political entity to express itself in images and written language is the hallmark of
a) civilization. b) Homo sapiens. c) art. d) community.
Clara Wieck Schumann emphasizes the first appearance of song's title "Forward!" through
a. polyphonic elaboration. b. trumpet-like unison. c. drawn-out homophony. d. staccato emphasis in the string section.