Martha Clarke and Pina Bausch are
A. Directors who come to the theatre from the world of visual arts
B. Choreographer-directors who create dance-theatre pieces
C. Directors who act in their productions and give the actors free rein during the rehearsal process
D. Responsible for the development of the Suzuki method of actor training
B
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A composer is said to use ________ when he or she exploits the strengths and
avoids the weaknesses of particular voices and instruments.
a. idiomatic writing b. Doctrine of Affections c. figured bass d. text painting e. libretto
Which is NOT typical of episodic structure?
A. subplots B. many characters and scenes C. cause and effect relation among scenes D. long time span and many locations
Who criticized Debussy's Prélude à l'Aprés-midi d'un faune as follows? "Debussy has not created a style; he has cultivated an absence of style, of logic, and of common sense."
a) Camille Saint-Saëns b) Maurice Ravel c) Stéphane Mallarmé d) Gabriel Fauré
A "crooner" is a male singer who:
a. sings without amplification in the style of Al Jolson b. also plays a musical instrument like Louis Armstrong c. sings softly into a microphone to achieve an intimate, romantic sound d. a singer who emphasizes the "believability" factor in their delivery of a lyric