Which of the following is true of John Huston's experimental golden hue in the film Reflections in a Golden Eye?
A. It created a tonal shift in the film that ultimately worked contrary to the intentions of the filmmaker.
B. It created the faded-photograph sepia tone that so many cinematographers seek as the most desirable color for portraying period pieces.
C. It was released without the golden effect as studio heads feared it would turn off the audience.
D. It desaturated the characters to the point that their skin began to look metallic, and so Huston dropped the effect.
Answer: C
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Whenever Baroque composers felt the need to add a particularly sparkling sound to their orchestral music, they
typically added the trombone to the ensemble
a. true b. false
By including ____ Hugo van der Goes revived medieval pictorial devices
a. joyful angels and muted colors b. an exclusive concern with formal problems c. a highly detailed border d. small background scenes and a varied scale of figures
Which French composer used unusual titles, such as Three Pieces in the Form of a Pear and Jack in the Box, for his or her music?
A) Erik Satie B) Darius Milhaud C) Nadia Boulanger D) Francis Poulenc
Improvisation and "scatting" are often found in
a. jazz. b.the lost works of Franz Schubert. c. Gregorian chant. d. Mozart's operas.