In the 1960s, the definition of the work of art as a tangible object was challenged by:
a. Happenings.
b. Performance Art.
c. Conceptual Art.
d. all of these.
e. none of these.
Answer: d
You might also like to view...
In the sixteenth century, paintings of nude reclining women became acceptable __________.
A. if they depicted Old Testament heroines B. under the guise of Classical mythology C. due to the rising popularity of putti D. due to more relaxed moral and social standards
Compare and contrast the Poetic Realism films directed by Jean Renoir and those Renoir films that were influenced or financed by the Popular Front. What were the aspects of style that were characteristic of Renoir's filmmaking in the 1930s, and how were these traits employed to complement the aims of both Poetic Realism and Popular Front activism? Were their cases for which Renoir's methods were considered (by audiences or critics) to be inappropriate for his subject matter? Why or why not?
What will be an ideal response?
Which of the following authors was credited with inventing the modern novel with his Madame Bovary?
a. Dickens b. Flaubert c. Tolstoy d. Zola
In the play, Elliot, A Soldier's Fugue, time and space are entirely fluid.
Answer the following statement true (T) or false (F)