"Those who speak about the Dao do not know of it, and those who know about the Dao do not speak of it" is an example of the practice of __________.
A. "Dao-doing"
B. Daoist preaching
C. "not-doing"
D. observing harmony through a well-ordered society
Answer: C
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The purpose of the Renaissance portrait by Ghirlandaio, Portrait of a Man and a Boy, was as:
a. a marriage token. b. vainglorious self-flattery. c. a remembrance after death. d. all of these. e. none of these.
Edgar Degas’s artwork draws its power from a fusion of ______.
a. Ingres’s line b. the solid form of the Renaissance masters c. the composition of the great Renaissance masters d. the spontaneous realism of Impressionism e. all of these are correct
Listen to "Belhadawa Walla Belshaawa?" (PL 12-16), then indicate the best answer for the following question:The piece features a number of popular Egyptian dance rhythms, including
A. rumba, Saaidi, and fallahi. B. rumba, zaar, and fallahi. C. Saaidi, zaar, and fallahi. D. rumba, zaar, and Saaidi.
According to Ed Sikov, what is the contradiction inherent in screwball comedies?
A. They romanticize the intelligence of the female character while keeping her in a subservient social role, usually as the "pursued" rather than the pursuer. B. They suggest that the pursuit of romantic union is ultimately more satisfying than the achievement of the union itself. C. They treat the female figure as both the principal goal of the male protagonist and as the principal antagonist. D. They tantalize us with sumptuous romantic ideals while showing the farce underneath.