Postwar experimental filmmakers, as well as workers in other arts, often adapted the ideas and practices of the avant-gardist composer John Cage by:
A. incorporating accidents as part of self-expression.
B. reworking existing, familiar artworks in a more contemporary style.
C. commenting ironically on the dissemination of American popular culture.
D. forming art collectives, in which the creation of the artwork is broken into separate tasks and delegated to several collaborators.
Answer: A
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