Which of the following statements is NOT true about the characters in Robert Bresson's films?
A. Their bodies are often fragmented in close-ups.
B. They are preternaturally still and quiet.
C. They are often pushed close to the camera, at times challengingly addressing the viewer.
D. They are often filmed from behind.
Answer: C
You might also like to view...
When a solo voice performs in alternation with a group, this technique is called
A. vocal composition. B. call-and-response. C. strophic form. D. falsetto.
Knowing the strengths and weaknesses of a disciplinary perspective means that you can
a. Not use this discipline if the perspective is weak b. Understand that different complex problems will need different perspectives, and that each disciplinary perspective is only a partial illumination of the problem. c. Concentrate on eliminating all the weak disciplinary perspectives after you have completed a list of disciplinary perspectives you will consult for your complex problem.
Discuss the technological improvements, cultural developments, and aesthetic innovations that led to Impressionism and explain how the movement got its name, mentioning specific artists and/or works to support your statements
What will be an ideal response?
How would one characterize the dynamics and tempo in "Oncang-oncangan"?
a. many abrupt changes b. drone-like and subdued c. constant and driving d. slow-changing and hymn-like