The costumer’s working drawing is a:
a. rear elevation.
b. costume chart.
c. color sketch.
d. sketch from a photograph.
c
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The Marius trilogy covers about twenty years in the lives of its three central characters. Although the slow pace derived in part from the stage origins of the films, Marcel Pagnol was also striving to:
A. compensate for the rapid-fire quickness of the dialogue. B. provide a specific number of close-ups of his leading actors. C. emulate the directors of the early French silent cinema. D. capture the meanderings and shifts in tone that characterize everyday conversation.
As a consequence of the coming of the Neolithic period,
A. the domestication of wild animals declined. B. villages lost population. C. communities grew and became more complex. D. human beings stopped worshiping multiple deities.
What painting characteristic of the juste-milieu style of art so captivated Napoleon III that he purchased it for his private collection?
A. Manet's Olympia (Fig. 31-18) B. Cabanel's The Birth of Venus (Fig. 31-4) C. Rude's The Dance (Fig. 31-5) D. Whistler's Nocturne in Black and Gold (Fig. 31-27)
This composer was born in Massachusetts and educated at Harvard, where he was encouraged to compose in the
twelve-tone style of Schoenberg. Listening to the Beatles at night, however, he developed a more eclectic musical style that blended classical with popular styles.
a. Copland b. Adams c. Barber d. Shaw e. Varèse