In the kilitan telu,
A. the three rhythmic patterns are essentially identical, but one pattern starts right on the beat, while a second pattern commences just after the beat, and a third pattern.
B. one player performs the core rhythm, while additional players perform faster and more intricate elaborations on that rhythm.
C. begins just before the beat, collectively generating a continuous stream of interlocking rhythm.
D. the four rhythmic patterns collectively generate a compelling, intricate composite rhythm with syncopated rests and accents.
Answer: A
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