The fourth movement of Bartók's Concerto for Orchestra sounds like a waltz, but one
that cannot be danced to because it
a. goes too fast
b. changes the meter rather frequently
c. has very dissonant harmonies
d. is too slow
e. has too much syncopation
ANS: b.
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From where did Awake, a Voice Calls to Us derive its name and primary melody?
a) a chorale tune b) a Gregorian chant c) a famous concerto d) a popular lullaby
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How does Piero della Francesca's Battista Sforza and Federico Da Montefeltro integrate the traditions of the Northern and Italian Renaissance?
What will be an ideal response?