You are in an English class where the Instructor tells you to adopt the novel you are reading into a short, ten-minute play to be performed in a small classroom
You meticulously break down the plot, characters, and themes so that your play will include them all. When you have done this, you write your script so that all the characters are standing on stage and there is dialogue between them, but little else. When you complete your draft, you turn in your play to the Instructor for her to critique it. What element will the Instructor most likely identify as one that must be added?A. The character's actions embedded in the dialogue.
B. The set description.
C. The list of props needed.
D. Detailed and figurative language in the dialogue.
A.
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When designing interior sets that have windows, the production designer will
A. also create a world outside, often using scenic backings that have been photographed. B. use low-key lighting to limit visibility through the windows. C. use high-key lighting to make the outside world seem more "real" than the interior world, creating a dramatic contrast. D. attempt to limit the view of the outside world in order to maintain focus on the immediate scene.
Puccini's verismo operas
A. drew inspiration primarily from the music-dramas of Wagner. B. depended largely on themes from Chinese opera. C. brought a new level of realism into opera. D. All these answers are correct.
Josquin had his music praised by __________
a) Hildegard of Bingen b) an agent of the Duke of Ferrara c) Pope Gregory I d) Julius Caesar
Identify the feature that is not typical of the Parisian chanson
A) Homophonic declamation takes precedent over linear counterpoint. B) The text is delivered with rapidly repeating notes. C) The text setting is generally syllabic. D) The formal structure continues to conform to the medieval formes fixes.