How do theatre spaces reflect social order?
What will be an ideal response?
Theatre spaces reflect social hierarchy, for both audiences and performers. As an audience member, where you sit and how you enter and exit can confer status. For centuries, nobility used one set of entrances and common people, another. Elite audience members often set in locked boxes, and kings sat where the entire audience could see them. Egalitarian seating arrangements developed with the democratic revolutions of the eighteenth and nineteenth centuries. Today, audience members may enter through the same doors, but they are segregated by the economics of ticket prices. The size and location actors' dressing rooms might indicate their status as performers, with the stars' being located closest to the stage.
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Shiva is commonly portrayed dancing in a circle of fire to
a) instruct his followers on how to worship him. b) symbolize creation and destruction. c) represent the mystical state created by dancing. d) represent his incarnation as sun god
Which person researches productions and criticism?
A. Stage manager B. Dramaturg C. Producer D. Director
Diego Velázquez completed Las Meninas (figs. 19.10 and 19.11) in 1656, but painted in the emblem of the __________ in 1659
Fill in the blank(s) with correct word
What design feature was NOT included in the Japanese formal receiving rooms called shoin?
A. a shrine for Buddhist meditation B. shelves where writing implements were displayed C. a alcove for flower arrangements or paintings D. a space fitted for a low writing desk