Michelangelo Antonioni's early films pioneered the possibility of:
A. treating narrative frustration as the basis of cinematic pleasure.
B. using negative footage and freeze frames as signifiers of intense subjective moments.
C. using sound to guide the spectator's attention from detail to detail within the frame.
D. concealing his characters' reactions from the spectator, often by means of setting.
Answer: D
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Indicate whether the statement is true or false
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