The Lutheran chorale tunes ________.
A. had been adapted from folk songs
B. had been adapted from Catholic hymns
C. were composed in the sixteenth and seventeenth centuries
D. All answers are correct.
Answer: D
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Count Basie named his famous hit "Jumpin' at the Woodside" from a hotel by the same name in this
city:
a. Harlem (NYC) b. Kansas City c. Chicago d. Washington, DC
Match the following:
a. Elvis Presley b. cover c. rock beat d. surf music e. multitrack recording f. doo-wop g. scat singing h. obbligato i. payola j. rockabilly k. Buddy Holly 1. The 1950s performer who was to become a rock and roll icon by the authenticity of his rhythm & blues, gospel, and pop influences. 2. A version of a song by someone other than the original artist. 3. A pop-oriented R & B genre that featured remakes of standards sung by black vocal groups. 4. The process of recording each part of a performance separately, then mixing them into a complete "performance." 5. A country take on rhythm and blues. 6. A regional rock from California. 7. A second melody played under the main melody. 8. The practice of a record company bribing disk jockeys to secure airplay for their records. 9. Eight evenly spaced sounds per measure (or two per beat) over a strong backbeat. 10. Wordless singing in which the singer uses nonsense syllables instead of words. 11. A young innovative performer who was to influence the Beatles and other 1960s rock groups after his premature death.
Flexible stages pose the greatest problem to the creation of effective stage images because:
a. such spaces make it difficult to see performers when they stand in groups. b. a scene’s focal point dissolves before the audience. c. several scenes may proceed simultaneously in various parts of a space shared by spectators and performers. d. this use of theatrical space embraces the traditional view that each moment of a performance should have a major focal point
Which statement best describes the interests of Native American Jaune Quick-to-See Smith (Fig. 27-24)?
A. She wants to revive native traditions and art forms in contemporary art. B. She emphasizes the functional/craft role of Native American art. C. She makes art that reflects her ethnic identity, as well as its relationship to Western culture. D. She argues her Native American ancestry is irrelevant to her role as a contemporary artist.