The pleasure that we have in response to beauty is said to be

a. aesthetic.
b. critical.
c. humanistic.
d. impersonal.


a

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Samuel Barber's Adagio for Strings is a skillful adaptation of which composer's style?

A) Peter Ilyich Tchaikovsky B) Richard Wagner C) Gustav Mahler D) Robert Schumann

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Which textural technique did Dvo?ák use in the String Quartet in F Major op. 96 that suggests a musical connection with both folk and African music?

a. heterophony b. fugue c. chorale setting d. call-and-response

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A compositional technique where the composer states a musical theme and then restates this theme over and over, elaborating on or varying the theme each time is called theme and variations.

a. true b. false

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Due to the increased importance of rhythm, timbre, and harmony, melody is absent from most twentieth-century music.

Answer the following statement true (T) or false (F)

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