The pleasure that we have in response to beauty is said to be
a. aesthetic.
b. critical.
c. humanistic.
d. impersonal.
a
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Samuel Barber's Adagio for Strings is a skillful adaptation of which composer's style?
A) Peter Ilyich Tchaikovsky B) Richard Wagner C) Gustav Mahler D) Robert Schumann
Which textural technique did Dvo?ák use in the String Quartet in F Major op. 96 that suggests a musical connection with both folk and African music?
a. heterophony b. fugue c. chorale setting d. call-and-response
A compositional technique where the composer states a musical theme and then restates this theme over and over, elaborating on or varying the theme each time is called theme and variations.
a. true b. false
Due to the increased importance of rhythm, timbre, and harmony, melody is absent from most twentieth-century music.
Answer the following statement true (T) or false (F)