The medium of Marc Quinn's Self is:
A. real human hair
B. clay
C. the artist's own blood
D. the artist's toenail clippings
C. the artist's own blood
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Claes Oldenburg and Coosje van Bruggen's sculptures, such as Shuttlecocks, affect us immediately through their
symbolism. scale. iconography. color.
Which of the following would apply to a film that centers on universal or representative characters that take on significance beyond themselves?
A. Focus on the idea of moral implications B. Focus on plot C. Focus on the idea of human nature D. Focus on character
In the Mérode Altarpiece (Figs. 19-10 and 19-11), the __________ is placed inside a contemporary Flemish home
A. Donor B. Visitation C. Christ's Baptism D. Annunciation
The climax of The Godfather, juxtaposing shots of the church ceremony in which Al Pacino's character is taking part as the godfather at his infant nephew's baptism with shots of brutal violence taking place at the same time ordered by him to consolidate his power as a godfather in the Mafia, is a powerful modern example of
A. outside/in editing patterns. B. thawed frames. C. inside/out editing patterns. D. ironic montage.