The most politically provocative works of Eastern European and Soviet cinema of the late 1960s and 1970s often:
A. supported the Brezhnev doctrine.
B. rejected Marxism and extolled Maoist principles.
C. preserved Socialist Realist techniques but rejected narrative as a bourgeois construct.
D. asserted the individuality of the artist's imagination.
Answer: D
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Early tropes were performed…
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The Café Guerbois was
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