Discuss the motives behind the emergence of "Film Europe." How did the national film industries of Europe cooperate in combating the influence of American movies? In what ways did stylistic traits cross over from country to country? Why were these cooperative efforts halted at the end of the 1920s?
What will be an ideal response?
Answer may vary.
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_____Ibsen’s dramas were considered controversial because:
A). They sensationalized violence through elaborate spectacle B). They focused on lower-class characters and unsavory life-styles C). They challenged existing moral values and social norms
Focused on developing a new visual language for a new industrial age, Constructivism developed in
the Netherlands. Spain. France. Russia.
Frida Kahlo expressed her creative talents best as
A. an artist of the neoclassical school. B. a poet of the Harlem Renaissance. C. a painter of many revealing self-portraits. D. a playwright of existential dramas.
The Council of Trent insisted that the use of religious imagery
a. reminded the faithful of the glories of the Church. b. emphasized differences between Catholics and Protestants. c. continued the tradition of supporting artists. d. moved the faithful to adore and love God.