Consider the statues of Menkaure and Khamerernebty and the Burghers of Calais. Describe the medium of each of these works and identify each by artist or culture. Then discuss the similarities and differences in these representations of the human form in relation to the themes of each work and its relationship to the viewer.
What will be an ideal response?
The carved stone sculpture Menkaure and Khamerernebty depicts a pharaoh and his royal wife. Employing the conventions of Egyptian sculpture, the couple are portrayed with idealized, youthful bodies and similar facial features with stiff, frozen arms. This formal, frontal pose suggests the power of the rulers and their serene, eternal existence. In contrast, Rodin's cast bronze sculpture Burghers of Calais memorializes the heroic 14th-century townsmen, who offered their lives as a ransom during a siege. The sculpture is an emotional presentation of individuals facing death and defeat. They are arranged in an irregular circle, requiring the viewers to pace alongside of them, for there is not an angle from which all of their faces are visible.
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The most well-known feature of the Theater (5.66) at Epidauros is _______
a. the acoustics b. the sanctuary c. the location d. the seating
The Marius trilogy covers about twenty years in the lives of its three central characters. Although the slow pace derived in part from the stage origins of the films, Marcel Pagnol was also striving to:
A. compensate for the rapid-fire quickness of the dialogue. B. provide a specific number of close-ups of his leading actors. C. emulate the directors of the early French silent cinema. D. capture the meanderings and shifts in tone that characterize everyday conversation.
Listen to "Dounuya" (PL 10-23), then indicate the best answer for the following question:The instrument in this piece is a
A. banjo. B. guitar. C. kora. D. mbira.
The term atonality refers to
A) the deliberate avoidance of a tonal center. B) using more than one tonal center at one time. C) constantly changing tonalities. D) the constant repetition of a melodic idea.