The director needs to be aware of the stage composition:
a. not merely to create beautiful stage pictures, but also to form images that convey the situation, emotional content, and character relationships
b. NEITHER to create beautiful stage pictures, or to form images that convey the situation, emotional content, and character relationships, NOR consider the changes needed when moving from the proscenium to the thrust stage.
c. not merely to create beautiful stage pictures, but also to form images that convey the situation, emotional content, and character relationships AND also consider a change from the proscenium to the thrust stage.
d. when moving from the proscenium to the thrust stage.
c
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The ____ was the greatest achievement of the court architect, Suleyman the Magnificent
a. Great Mosque, Isfahan, b. mosque complex of Sultan Hasan c. mosque of Selim II d. Madrasa Imami, Isfahan,
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Which statement is true of the Bust of Nefertiti?
A. Her portrait exemplifies the continuity of artistic style across periods in Ancient Egypt. B. Her image copies the iconography of the Palette of King Narmer. C. Her portrait seems to combine both idealized and individualistic elements. D. Nefertiti is rendered in the form of the Goddess Isis.
Meaning in drama is implied rather than stated directly. It is also suggested by relationships among characters,
ideas associated with unsympathetic or sympathetic characters, the conflicts and their resolution, and indicated by devices such as spectacle, music and song.
a. True b. False
In which way is Ravel's Le tombeau de Couperin similar to a Baroque suite?
A) each movement in either binary or rondo form B) almost all the movements are in E C) each movement is based on a Baroque dance form D) all of these choices